In this stimulating new text, renowned military historian Jeremy Black unpacks the concept of culture as a descriptive and analytical approach to the history of warfare. Black takes the reader through the limits and prospects of culture as a tool for analyzing war, while also demonstrating the necessity of maintaining the context of alternative analytical matrices, such as technology. Black sets out his unique approach to culture and warfare without making his paradigm into a straightjacket. He goes on to demonstrate the flexibility of his argument through a series of case studies which include the contexts of rationale (Gloire), strategy (early modern Britaisn), organizations (the modern West), and ideologies (the Cold War). These case studies drive home the point at the core of the book: culture is not a bumper sticker; it is a survival mechanism. Culture is not immutable; it is adaptable. Wide-ranging, international and always provocative, War and the Cultural Turn will be required reading for all students of military history and security studies.
Across the world, we see cultural heritage under attack, from Mali to Iraq and Syria. Extremists vandalize museums and historic sites, forbid girls to go to school and kill members of the media – all symbols that embody freedom of thought and respect for cultural diversity. These assaults strike at the heart of human identity and endeavour. Signed in 1935, the Roerich Pact paved the way for landmark international legal instruments devoted to the protection of cultural property, both in peacetime and during war – including the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Confl ict and its two (1954 and 1999) Protocols. The UNESCO World Heritage Convention, adopted in 1972, builds on the spirit on the Pact. International criminal law has also made big strides in protecting cultural property. Under the Rome Statute of the International Criminal Court, intentionally directing attacks against buildings dedicated to education, art and science, as well as historic monuments, is a war crime in both international and in non-international armed confl ict. This exhibition pays tribute to the ground-breaking Roerich Pact and bears witness to our determination to take its spirit forward.
The trinity of government, military and publics has been drawn together into immediate and unpredictable relationships in a «new media ecology» that has ushered in new asymmetries in the waging of war and terror. To help us understand these new relationships, Andrew Hoskins and Ben O'Loughlin here provide a timely, comprehensive and highly readable survey of the field of war and media. War is diffused through a complex mesh of our everyday media. Paradoxically, this both facilitates and contains the presence and power of enemies near and far. The conventions of so-called traditional warfare have been splintered by the availability and connectivity of the principal locus of war today: the electronic and digital media. Hoskins and O'Loughlin identify and illuminate the conditions of what they term «diffused war» and the new challenges it raises for the actors who wage and counter warfare, for their agents and mechanisms of the new media and for mass publics. This book offers an invaluable review of the key literature and presents a fresh approach to the understanding of the dynamic relationships between war and media. It will be welcomed by a broad range of students taking courses on war and media and related modules, especially in media, communication and cultural studies, politics and international relations, sociology, journalism, and security studies.
Offers a close reading of individual texts with attention to their cultural and canonical context Examines the history and evolution of the novel to 1900 and defines each author’s aesthetic, cultural, political, and historical significance Covers essential and frequently taught masterworks up to 1900, including Cervantes’ Don Quixote; Tolstoy’s War and Peace and Anna Karenina; Dostoevsky’s Notes from Underground, Crime and Punishment, and The Brothers Karamazov; Stendhal’s The Red and the Black and The Charterhouse of Parma; Flaubert’s Madame Bovary and Sentimental Education; Balzac’s Pere Goriot; and Zola’s Germinal Written with students and teachers in mind, this book provides accessible and engaging discussions of each novel, along with important pedagogical tools
A Companion to the First World War brings together an international team of distinguished historians who provide a series of original and thought-provoking essays on one of the most devastating events in modern history. Comprises 38 essays by leading scholars who analyze the current state of historical scholarship on the First World War Provides extensive coverage spanning the pre-war period, the military conflict, social, economic, political, and cultural developments, and the war's legacy Offers original perspectives on themes as diverse as strategy and tactics, war crimes, science and technology, and the arts Selected as a 2011 Outstanding Academic Title by CHOICE
Culture and Health offers an overview of different areas of culture and health, building on foundations of medical anthropology and health behavior theory. It shows how to address the challenges of cross-cultural medicine through interdisciplinary cultural-ecological models and personal and institutional developmental approaches to cross-cultural adaptation and competency. The book addresses the perspectives of clinically applied anthropology, trans-cultural psychiatry and the medical ecology, critical medical anthropology and symbolic paradigms as frameworks for enhanced comprehension of health and the medical encounter. Includes cultural case studies, applied vignettes, and self-assessments.
A Companion to World War II brings together a series of fresh academic perspectives on World War II, exploring the many cultural, social, and political contexts of the war. Essay topics range from American anti-Semitism to the experiences of French-African soldiers, providing nearly 60 new contributions to the genre arranged across two comprehensive volumes. A collection of original historiographic essays that include cutting-edge research Analyzes the roles of neutral nations during the war Examines the war from the bottom up through the experiences of different social classes Covers the causes, key battles, and consequences of the war
What do we know about war crimes and justice? What are the discursive practices through which the dominant images of war crimes, atrocity and justice are understood? In this wide ranging text, Michael J. Shapiro contrasts the justice-related imagery of the war crimes trial (for example the solitary, headphone-wearing defendant at the Hague listening with intent to a catalogue of charges) with ?literary justice?: representations in literature, film, and biographical testimony, raising questions about atrocities and justice that juridical proceedings exclude. By engaging with the ambiguities exposed by the artistic and experiential genres, reading them alongside policy and archival documentation and critical theoretical discourses, Shapiro?s War Crimes, Atrocity, and Justice challenges traditional notions of ?responsibility? in juridical settings. His comparative readings instead encourage a focus on the conditions of possibility for war crimes as they arise from the actions of states, non-state agencies and individuals involved in arms trading, peace keeping, sex trafficking, and law enforcement and adjudication. Theory springs to life as Shapiro draws on examples from legal discourse, literature, media, film, and television, to build a nuanced picture of politics and the problem of justice. It will be of great interest to students of film and media, literature, cultural studies, contemporary philosophy and political science
A philosophical look at heavy metal's dark masters of reality, Black Sabbath Black Sabbath is one of the world's most influential and enduring rock bands. Dubbed «the Beatles of heavy metal» by Rolling Stone, they helped to define a genre with classic songs like «Paranoid», «Iron Man», and «War Pigs», songs whose lyrics reveal hidden depth and philosophical insight. Their songs confront existential despair, social instability, political corruption, the horrors of war, and the nature of evil. This book explores the wide range of profound ideas in the band's music and lyrics to help you understand Black Sabbath as never before. Discusses and debates essential Black Sabbath topics and themes, such as the problem of evil, «War Pigs» and the nature of just war theory, whether or not Sabbath is still Sabbath without Ozzy, and whether «evil is in the ear of the beholder» Gives you new perspectives on Black Sabbath's music and lyrics Provides a deeper appreciation and understanding of Ozzy Osbourne, Tony Iommi, Geezer Butler, Bill Ward, and Ronnie James Dio Brings some of history's heaviest thinkers to bear on the band's music, from Aristotle and Nietzsche to Schopenhauer and Marx So . . . can you help me, occupy my brain? Yes! Start reading Black Sabbath and Philosophy.
The idea that respect for cultural diversity conflicts with gender equality is now a staple of both public and academic debate. Yet discussion of these tensions is marred by exaggerated talk of cultural difference, leading to ethnic reductionism, cultural stereotyping, and a hierarchy of traditional and modern. In this volume, Anne Phillips firmly rejects the notion that ‘culture’ might justify the oppression of women, but also queries the stereotypical binaries that have represented people from ethnocultural minorities as peculiarly resistant to gender equality. The questions addressed include the relationship between universalism and cultural relativism, how to distinguish valid generalisation from either gender or cultural essentialism, and how to recognise women as agents rather than captives of culture. The discussions are illuminated by reference to legal cases and policy interventions, with a particular focus on forced marriage and cultural defence.
A Companion to Cultural Resource Management is an essential guide to those wishing to gain a deeper understanding of CRM and heritage management. Expert contributors share their knowledge and illustrate CRM's practice and scope, as well as the core issues and realities in preserving cultural heritages worldwide. Edited by one of the world's leading experts in the field of cultural resource management, with contributions by a wide range of experts, including archaeologists, architectural historians, museum curators, historians, and representatives of affected groups Offers a broad view of cultural resource management that includes archaeological sites, cultural landscapes, historic structures, shipwrecks, scientific and technological sites and objects, as well as intangible resources such as language, religion, and cultural values Highlights the realities that face CRM practitioners «on the ground»
This volume presents documents that illustrate the variety of experiences and themes involved in the transformation of American political, economic, and social systems during the Gilded Age and Progressive Era (1870-1920). Includes nearly 70 documents which cover the period from the end of the Civil War and Reconstruction in the 1870s through World War I Explores the experiences of people during the Gilded Age and Progressive Era from a variety of diverse perspectives, including important political and cultural leaders as well as everyday individuals Charts the nationalization of American life and the establishment of the United States as a global power Introduces students to historical analysis and encourages them to engage critically with primary sources Introductory materials from the editors situate the documents within their historical context A bibliography provides essential suggestions for further reading and research
A Companion to the Literature and Culture of the American West presents a series of essays that explore the historic and contemporary cultural expressions rooted in America's western states. Offers a comprehensive approach to the wide range of cultural expressions originating in the west Focuses on the intersections, complexities, and challenges found within and between the different historical and cultural groups that define the west's various distinctive regions Addresses traditionally familiar icons and ideas about the west (such as cowboys, wide-open spaces, and violence) and their intersections with urbanization and other regional complexities Features essays written by many of the leading scholars in western American cultural studies
The book aims to prepare everyone who speaks English as a foreign language to participate in cross-cultural communication. The book is a theoretical overview of the main aspects of cross-cultural communication, which is supplied with practical examples of cross-cultural communication. It also contains linguistic and cultural information, which will facilitate effective communication with representatives of the British linguistic and cultural community.
Poland in the Modern World presents a history of the country from the late nineteenth century to the present, incorporating new perspectives from social and cultural history and positioning it in a broad global context Challenges traditional accounts Poland that tend to focus on national, political history, emphasizing the country's 'exceptionalism'. Presents a lively, multi-dimensional story, balancing coverage of high politics with discussion of social, cultural and economic changes, and their effects on individuals’ daily lives. Explores both the regional diversity within Poland and the country’s place within Europe and the wider world. Provides a new interpretive framework for understanding key historical events in Poland’s modern history, including the experiences of World War II and the postwar communist era.