A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.
Simultaneously frightening and familiar, the image of the skull is the closest thing human civilization has ever seen to a universal aesthetic totem. Although the power of its iconic form originates from its association with death, it has come to represent so much more. Skullture takes a comprehensive approach while examining this phenomenon, taking into account both visual and conceptual considerations of the skull throughout history. The book explores the connections of Aztec religious iconography to Damien Hirst and the Ramones to Eighteenth Century funerary practices without ever losing sight of the fact, that while fashion changes, the visual staying power of the human skull carries on. Skullture presents different aesthetic uses of the skull as well as its various cultural resonances through myriad disciplines of art design and fashion. The list of more than 70 contributors includes; Emilio Garcia, Lucy Hardie, Haroshi, Dionne Marshall, Alexandre Orion, Jim Skull, Ian Strange, Didier Ra, Vhils and Yohji Yamamoto.
The rise of digital photography and imaging has transformed the landscape of visual communication and culture. Events, activities, moments, objects, and people are ‘captured' and distributed as images on an unprecedented scale. Many of these are shared publicly; some remain private, others become intellectual property, and some have the potential to shape global events. In this timely introduction, the ubiquity of photography is explored in relation to interdisciplinary debates about changes in the production, distribution, and consumption of images in digital culture. Ubiquitous Photography provides a critical examination of the technologies, practices, and cultural significance of digital photography, placing the phenomenon in historical, social, and political-economic context. It examines shifts in image-making, storage, commodification, and interpretation as highly significant processes of digitally mediated communication in an increasingly image-rich culture. It covers debates in social and cultural theory, the history and politics of image-making and manipulation, the current explosion in amateur photography, tagging and sharing via social networking, and citizen journalism. The book engages with key contemporary theoretical issues about memory and mobility, authorship and authenticity, immediacy and preservation, and the increased visibility of ordinary social life. Drawing upon a range of sources and original empirical research, Ubiquitous Photography provides a comprehensive introduction to critical academic debate and concrete developments in the field of digital photography. It is essential reading for students and scholars interested in media and society, visual culture, and digital technology.
Gestalten's best-selling Logos series has documented and indicated design styles and trends in contemporary logo design worldwide. Dos Logos is a comprehensive visual encyclopedia that presents over 2,300 new examples and stylistic approaches by international designers including more unusual logo applications, once again offering an essential resource for all designers. To allow comparison in a thematic context, they are classified into chapters according to the industry or purpose for which they were created including "Corporate", "Culture", "Fashion", "In Motion & Games" and "Political & Social". Dos Logos also features a comprehensive index.
In a series of newly commissioned essays by both established and emerging scholars, Globalization and Contemporary Art probes the effects of internationalist culture and politics on art across a variety of media. Globalization and Contemporary Art is the first anthology to consider the role and impact of art and artist in an increasingly borderless world. First major anthology of essays concerned with the impact of globalization on contemporary art Extensive bibliography and a full index designed to enable the reader to broaden knowledge of art and its relationship to globalization Unique analysis of the contemporary art market and its operation in a globalized economy
Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the "literature" of its time. Yet satirists and parodists were influenced by and responded to advertising, while copywriters borrowed from the wider literary culture, especially through poetical advertisements and comic imitation. This 2007 study to pays sustained attention to the cultural resonance and literary influences of advertising in the late eighteenth and early nineteenth centuries. John Strachan addresses the many ways in which literary figures including George Crabbe, Lord Byron and Charles Dickens responded to the commercial culture around them. With its many fascinating examples of contemporary advertisements read against literary texts, this study combines an intriguing approach to the literary culture of the day with an examination of the cultural impact of its commercial language.
Students learning English need to familiarise themselves with the culture of English-speaking countries to provide a context for their study of the English language. This title allows teachers to present aspects of contemporary US culture to their students which will broaden their knowledge of the English-speaking world.
This is an all new version of the popular PARALLEL TEXT series, containing eight pieces of contemporary fiction in the original French and in English translation. Including stories by Bolanger, Cotnoir, Le Clezio and Germain, this volume gives afascinating insight into French culture and literature as well as providing an invaluable educational tool.
This is an all new version of the popular PARALLEL TEXT series, containing eight pieces of contemporary fiction in the original French and in English translation. Including stories by Bolanger, Cotnoir, Le Clйzio and Germain, this volume gives a fascinating insight into French culture and literature as well as providing an invaluable educational tool.
In its original formulation, ‘culture' was intended to be an agent for change, a mission undertaken with the aim of educating ‘the people' by bringing the best of human thought and creativity to them. But in our contemporary liquid-modern world, culture has lost its missionary role and has become a means of seduction: it seeks no longer to enlighten the people but to seduce them. The function of culture today is not to satisfy existing needs but to create new ones, while simultaneously ensuring that existing needs remain permanently unfulfilled. Culture today likens itself to a giant department store where the shelves are overflowing with desirable goods that are changed on a daily basis – just long enough to stimulate desires whose gratification is perpetually postponed. In this new book, Zygmunt Bauman – one of the most brilliant and influential social thinkers of our time – retraces the peregrinations of the concept of culture and examines its fate in a world marked by the powerful new forces of globalization, migration and the intermingling of populations. He argues that Europe has a particularly important role to play in revitalizing our understanding of culture, precisely because Europe, with its great diversity of peoples, languages and histories, is the space where the Other is always one's neighbour and where each is constantly called upon to learn from everyone else.
Burning Beauty is a comprehensive summary of photographer David LaChapelle, stretching from the early 1980s to 2012. With more than 200 colour illustrations and four essays, it reflects LaChapelle's entire oeuvre. LaChapelle's imagery has the ability no only to attract our gaze with seductive and remarkable bodies, settings and objects in every conceivable and inconceivable constellation; it also has the capacity to incite reactions that charge our seeing with emotions that engender a relationship between the image and its viewer. His imagery places the viewer in the midst of the turbulent visual culture of the past quarter-century and invites us to a blend of passion, comedy, exaggeration and critical reflection. Published to accompany the exhibition Burning Beauty at The Swedish Museum of Photography in Stockholm, this book offers a unique insight in one of the most important contemporary artists in the world.
What Visual Meetings did for meetings and Visual Teams did for teams, this book does for leaders Visual Leaders explores how leaders can support visioning and strategy formation, planning and management, and organizationchange through the application of visual meeting and visual team methodologies organization wide—literally «trans-forming» communications and people's sense of what is possible. It describes seven essential tools for visual leaders—mental models, visual meetings, graphic templates, decision theaters, roadmaps, Storymaps, and virtual visuals—and examples of methods for implementation throughout an organization. Written for all levels of leadership in organizations, from department heads through directors, heads of strategic business units, and "C" level executives Explores how communications has become interactive and graphic and how these tools can be used to shape direction and align people for implementation Brings tools, methods and frameworks to life with stories of real organizations modeling these practices Visual Leaders answers the question of how design thinking and visual literacy can help to orient leaders to the complexity of contemporary organizations in the private, non-profit, and public sectors.
The way people think and act politically is not set in stone. People can and do change the fundamental cultural contours of their political situation. Their political culture does not only restrict imagination and action – it is also a resource for political creativity and invention. In Reinventing Political Culture, this resource is uncovered and explored. Analyzed as a tension between the power of culture and the culture of power, the concept of political culture is reinvented and applied to understanding the practice of people transforming their own political culture in very different circumstances. Three instances of such reinvention are closely examined: one historic, during the twilight of the Soviet empire; one actively in process and actively opposed, ‘the Obama revolution'; and one an apparent distant dream, the power of culture and the culture of power that would avoid ‘the clash of civilizations' in the Middle East. In accessible and engaging prose, Goldfarb clearly and forcefully presents students and scholars of sociology, comparative politics, and cultural studies with an original position on political culture, showing how the political cultures of our times pose not only grave dangers, but also opportunities for creative alternatives.
"This book establishes Daniele Hervieu-Leger as one of the most important contemporary sociologists of religion. In the best tradition of French sociology, she places the problem of modern religion within a broad interpretation of modern consciousness. Her book will be a classic in the field". Peter Berger, Institute for the Study of Economic Culture, Boston University