A Companion to World War II brings together a series of fresh academic perspectives on World War II, exploring the many cultural, social, and political contexts of the war. Essay topics range from American anti-Semitism to the experiences of French-African soldiers, providing nearly 60 new contributions to the genre arranged across two comprehensive volumes. A collection of original historiographic essays that include cutting-edge research Analyzes the roles of neutral nations during the war Examines the war from the bottom up through the experiences of different social classes Covers the causes, key battles, and consequences of the war
Jack London (1876-1916) was an American novelist, journalist and social activist. Pioneering the genre of magazine fiction and prototyping science fiction, he became one of the first writers, who gained worldwide fame and a large fortune. As the title intends, this volume includes seven interesting works including "The Class Struggle", "The Tramp" and "The Question of the Maximum". Most of them express author's views on socialism, heavily influenced by the works of Darwin, Marx, and Nietzsche.
"The Art of War is a Chinese military treatise written during the 6th century BC by Sun Tzu. Composed of 13 chapters, each of which is devoted to one aspect of warfare, it has long been praised as the definitive work on military strategies and tactics of its time. The Art of War is one of the oldest and most famous studies of strategy and has had a huge influence on both military planning and beyond. The Art of War has also been applied, with much success, to business and managerial strategies." (summary from Wikipedia)
This book examines Japanese animation films of Studio Ghibli in terms of war and peace. This research mainly focuses on movies directed by Hayao Miyazaki, a 'Japanese master of animation', who announced his official retirement in September 2013. Through the lens of peace research, the author rediscovered the fact that Miyazaki-related animation films deal with actual wars from the First World War to the 2003 Iraq War. This book investigates the following Studio Ghibli animation movies: 1) Nausica of the Valley of the Wind (1984), 2) Laputa Castle in the Sky (1986), 3) Grave of the Fireflies (1988), 4) Porco Rosso (1992), 5) Howl’s Moving Castle (2004), and 6) The Wind Rises (2013). From a perspective of peace research and international relations, this study analyzes the relevance of the films to the First World War, the Second World War, the Cold War, the War on Terror, as well as some nuclear related issues in the post-3/11 context. Moreover, this book explores the implications of the case studies for peace education so that Studio Ghibli films can be watched as sources for creating the ‘defences of peace’ inside the hearts of audience around the world.
Arthur Conan Doyle was an English writer best known for his detective stories about Sherlock Holmes. Intended as a sincere an attempt to describe the behavior of Great Britain during the Boer War, "The War in South Africa" contains the author's thoughts as a person who was a part of the events. Full of quotes from the eyewitnesses, the book openly dismisses the accusations of Britain being just the cruel aggressor and instigator of the war.
The trinity of government, military and publics has been drawn together into immediate and unpredictable relationships in a «new media ecology» that has ushered in new asymmetries in the waging of war and terror. To help us understand these new relationships, Andrew Hoskins and Ben O'Loughlin here provide a timely, comprehensive and highly readable survey of the field of war and media. War is diffused through a complex mesh of our everyday media. Paradoxically, this both facilitates and contains the presence and power of enemies near and far. The conventions of so-called traditional warfare have been splintered by the availability and connectivity of the principal locus of war today: the electronic and digital media. Hoskins and O'Loughlin identify and illuminate the conditions of what they term «diffused war» and the new challenges it raises for the actors who wage and counter warfare, for their agents and mechanisms of the new media and for mass publics. This book offers an invaluable review of the key literature and presents a fresh approach to the understanding of the dynamic relationships between war and media. It will be welcomed by a broad range of students taking courses on war and media and related modules, especially in media, communication and cultural studies, politics and international relations, sociology, journalism, and security studies.
Arthur Conan Doyle (1859 - 1930) was an English writer best known for his detective stories about Sherlock Holmes. "The German War" is a collection of essays, written by the author before the beginning of WWI. In this book, Conan Doyle predicts the events of the war, basing judgments on his reading of German military authors and general tendencies in the country's politics.
Herman Melville was an American poet and novelist of the American Renaissance, best known for his allusive adventure novel "Moby-Dick". "Battle-Pieces and Aspects of the War" is his first book of poetry, fully dedicated to the battles of the Civil War and its aftermath. This compilation includes 72 poems about almost every major event, passed through the author's point of view on the war and its impact on people.
War/Photography surveys both iconic and newly discovered photographs of war and conflict, from daguerreotypes documenting the Crimean and American Civil Wars to digital images made by soldiers in 21st-century Iraq. Accompanying a landmark exhibition opening at the Museum of Fine Arts, Houston, it is generously illustrated with over 525 powerful images and includes texts by some of today's most important scholars of war photography. This ambitious book offers a comprehensive investigation of the relationship between photography and armed conflict. The featured works represent a range of perspectives - from journalists to soldiers to ordinary citizens - and span six continents, yet together they communicate the consummate experience of war: its brutality, humanity, and even humor. The book's essays investigate the immediate impact, dissemination, and historical influence of war photography.
In 1912 Sir Arthur Conan Doyle wrote a short story about a war fought from underwater submersibles that included the sinking of passenger ships. It was dismissed by the British admirals of the day, not on the basis of technical feasibility, but because sinking civilian ships was not something that any civilised nation would do. The reality of war often contradicts expectations, less because of some fantastic technical or engineering dimension, but more because of some human, political, or moral threshold that we had never imagined would be crossed.As Lawrence Freedman shows, ideas about the causes of war and strategies for its conduct have rich and varied histories which shape predictions about the future. Freedman shows how looking at how the future of war was conceived about in the past (and why this was more often than not wrong) can put into perspective current thinking about future conflicts. The Future of War - which takes us from preparations for the world wars, through the nuclear age and the civil wars which became the focus for debate after the end of the Cold War, to present preoccupations with hybrid and cyber warfare - is filled with fascinating insights from one of the most brilliant military and strategic historians of his generation.